一部稀有难得讲述佛法准确的电影。感谢没为了炒高票房而加一些历史不实的爱媚情节！不过，还是觉得有些剧情不属实，但没伤到佛法。总觉得黄晓明没有玄奘大师的风范。他比较有武生样，没书生样，但因扮演出家人，他既然在拍戏期间断肉茹素。这举动不但对角色（玄奘大师）敬重，也令人敬佩。不过，能从此断肉更好，科科！ 玄奘大师的一生大概每一位正信佛教徒都略知一二；哪怕是从大师本人著作的《大唐西域记》或吴承恩虚构夸张的《西游记》。大家都知道当时跨国取经并非容易之事，大师偷渡出境到天竺（当时的印度）取经，一路上都是考验和困难重重。如果没有那份坚定不移的至诚恳切心，换是我们这群人，还没入沙漠就已经叫爹喊娘了。 离乡背井近十九年，他一返回国就全神贯注展开庞大的译经工作。大师无私的贡献让我们晚辈受益良多。很遗憾的是大师所著作的《破恶见论》已失传。这可说是从古到今唯一中国僧人用梵文所写的佛教典籍。大师是为了在一场宗教大辩论上，为维护大乘教义而写的。辩论的起因是有位年老的婆罗门，般若鞠多，写了共七百颂的《破大乘论》。小乘僧人由此提出召集辩论的意见。戒日王（当代天竺第一王）便写信给那烂陀寺住持（戒贤法师）邀请派人参辩。同时，也请了四位知己知彼、内外兼修、大小俱通的大德来辩。 长话短说，本是一场大小乘的辨论，演变成了一场全国性以佛教为主的的宗教大辩论。戒日王让大师面对全印度顶级法师的挑战。他通知了五印度（东、西、南、北、中印度，就是古印度全境），所有宗教顶尖人物，来曲女城参加大会。这一来能展示了大师高超的学问，二来能摧毁各种自以为是的邪知邪见。大师的重任，不言而喻。 恒河南岸，召集了几十万观众赶赴曲女城。鸠摩罗王（天竺第二王）也在恒河北岸召集了几万观众。这场曲女城大会的参与者包括18位国王（一者说20多位），大小乘僧人3000余人，婆罗门和外道2000余人，那烂陀寺1000余人，方圆几十里满满当当，挥汗如雨。当时佛教并非是印度的主要宗教，不过是无数宗教中的一种。这场大辩论，由大师为主，单挑2000多名僧人和外道。大师还立下了生死状！天竺辩经主持一方一定要立输了的条件的，而赢了的条件一般立的很少。当然，大师赢了。《破恶见论》也呈给了戒贤法师。 戏里所描述的不比历史记载的精彩，毕竟时间有限。演员配音的梵语也有点别扭。欣慰的是取景和艺术指导没得挑啦。可以说肯定不会世俗般卖座，但值得一看。(P.S. 历史资讯来自百度百科。) – 真悯 合十 For English Review, See http://thedailyenlightenment.com/2016/05/be-inspired-by-the-great-mahayana-master-xuan-zang
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